Milano via the cosmos duo "Eternal Love" deliver their debut Altar EP for the 10th physical disc on Planet Trip records. Best enjoyed spritz in hand or windows down in your friend's cabrio. Soak up 4 primo balearic, street soul and acid dipped housey cuts via everybody’s favourite cavalli.creditsreleased August 21, 2022All tracks produced by Eternal Love for Planet Trip RecordsMixed by Paul JextraMastered by Nick ArksArtwork by Sean C Bate

Quality waterproof decal measuring 13.5 x 5.5 cm suitable for both outdoor and indoor use.

Communique Records re-issues Spencer Kincy's 'The 4th Day'from 1995 on the sublabel MakeOutMusic!

Official re-release of this 'lost' 6-track mini album by New Yorker Ben Cenac (of Newcleus fame). Recorded and released in 1990 and is an absolute gem of a record - very much in the vein of Larry Heard's best recordings. MASSIVE TIP!Electronic soul classic! Now available again for the first time in 22 years, remastered + full artwork.'A truly, dreamy, beautiful classic deep-house mini-album from the golden-post-Larry Heard era. New-yorker Ben Cenac, who was also member of electro pioneers Newcleus (and part of Sha-lor, who had a cool jazzy garage-house hit in the late 80's), shows a great sensibility and delicacy here in following mr Heard's path.His approach is perhaps slightly more sci-fi in the synths and pad sounds, and perhaps a tad less crafted and mercurial in production than the master (i.e. less timeless), but this adds in realness and charm.So, past the classic deep-garage dream "My Love Turns To Liquid" (in the vein of these sultry garage productions from Peter and Vanessa Daou), the rest of the record shows constant quality, with song titles that could have been (or actually have been) used by Mr. Heard himself, and a content oscillating between warming deep-house, sweet acid, lush garage and relaxed spacejazz piano parts, the whole thing also evoking the Beloved's better 'rave' moments ("The Sun Rising" etc).This record could be studied in university as the synthesis of the deep-house scene of the early 1990s. Classic.' (Review by Restless, taken from Discogs).

Jazz/Funk/Soul

Ambiental is Paz Sounds’ debut EP showcasing calming acoustic music inspired by nature. The music aims to relax listeners and incorporates intricate classical guitar, soothing piano, ethereal vocals and ambient nature recordings.Each instrumental track includes ambient field recordings Paz and her friends have taken from natural locations in Australia or Spain to transport listeners to a natural oasis. The purpose of Ambiental is to demonstrate the power of relaxation music to calm the mind. This music is perfect to listen to while meditating, studying, working from home, walking, reading and falling asleep.Ambiental was released on all streaming platforms during Melbourne lockdown during September 2020. To celebrate the release, Paz Sounds live-streamed the music at an online launch event and raised $1K for the Music Therapy Department at the Royal Melbourne Hospital to support patients and frontline workers through music.About Paz SoundsPaz Sounds is an Australian sound composer and classical guitarist with 20+ years of classical Suzuki guitar training. She’s performed in venues around the world including the Sydney Opera House, Melbourne Recital Centre, and MPavilion, and is a Music Therapy Volunteer at the Royal Melbourne Hospital to uplift patients through music. Her music is a modern take on sound healing.Artwork designed by Kathryn Lucas. Photo taken by Paz Sounds.

Classic pink chest screen print- Boxy Oversize fit.- Heavy weight.- Set in sleeve with cuffs.- Two needle coverstitch front pouch pocket and ribwaistband.- Double layer hood.- Low pill fabric.- 310 GSM.- Rib neckline, cuffs and waistband.* Hoodies fit large so we advise buying a size smaller than usualManifactured & designed in Melbourne / NaarmDO NOT TUMBLE DRY, HANG DRY ONLY.

Classic cream chest screen print - Boxy Oversize fit.- Heavy weight.- Set in sleeve with cuffs.- Two needle coverstitch front pouch pocket and ribwaistband.- Double layer hood.- Low pill fabric.- 310 GSM.- Rib neckline, cuffs and waistband.* Hoodies fit large so we advise buying a size smaller than usualManifactured & designed in Melbourne / NaarmDO NOT TUMBLE DRY, HANG DRY ONLY.

Limited edition 'Bound By Sound' collaboration hooded sweatshirt between Daisy Records & Naarm based graphic designer Chiyio.- Reflective screen printing that reacts to light - Boxy Oversize fit.- Heavy weight.- Set in sleeve with cuffs.- Two needle coverstitch front pouch pocket and rib waistband.- Double layer hood.- Low pill fabric.- 310 GSM.- Rib neckline, cuffs and waistband.* Hoodies fit large so we advise buying a size smaller than usual Made & designed in Melbourne / NaarmDO NOT TUMBLE DRY, HANG DRY ONLY.

Bring It On Home: Peter Grant. Led Zeppelin And Beyond: The Story Of Rock's Greatest Manager.BRAND NEW.

The original Hard Dance rug design now in tea towel form!Screen printed in Naarm on an absorbent 50/50 linen and cotton blend.50cm x 77cm

The ‘Psyche” Tee is inspired by one of our favorite set posters designed for Kyoto-based Dj & Producer Stones Taro’s, when he featured on our mix series ‘The Inner Sound’ where he unleashed a 1-hour UKG / House / Jungle set that we absolutely loved. The design itself was inspired by vast contrasts of colour and sound, created to encapsulate the varying musical journeys we had been taking throughout the 2021 lockdowns, from Japanese Ambient works, obscure left-field electronica & melodious psychedelic dancefloor experiments from all over the world - apart from having a deep dive into our crates of wax to explore avenues of design inspiration, we also took influence from classic rave posters & flyers such as 1992 / 1993 Fantazia, Dreamscape & World Dance.Printed & Designed locally in Melbourne / Naarm

These pieces are made from welded steel chain, finished with a gloss epoxy paint, a fantastic addition to any home.We package and send these with absolute & complete care in the most environmentally harmless way possible - if you would prefer to pick this item up from us to ensure maximum safety of the object we are happy to accommodate that option.

Hand-tufted B/K Effect mini rug in brown and hot green. 100% cut pile cotton yarn backed with acrylic felt.Inspired by the Bouba/Kiki effect and how it maps the way our brains connect shape with sound.The size and shape of these rugs make them incredibly versatile. Looks great on the floor, a chair, at the end of your bed, draped over a couch, as a table centerpiece or on a shelf!Measures approximately 50cm x 25cm.Each item is lovingly made by hand so slight variations in design may occur. There is no return or refund for change of mind so please read the description of the item carefully before purchasing.

THIS ITEM IS MADE TO ORDER. PLEASE ALLOW UP TO 3 WEEKS FROM THE DATE OF PURCHASE FOR PRODUCTION.Hand-tufted Soft Ware Hard Dance floor rug. Loop pile, tufted with 100% wool that has been sourced second-hand, backed with acrylic felt and bound together by hand.An amalgamation of SW's 2 great loves, dance music and textiles. Inspired by rave flyers and culture.Measures approximately 110cm x 80cm.Each item is lovingly made by hand so slight variations in design may occur.There is no return or refund for change of mind so please read the description of the item carefully before purchasing.

These pieces are made from welded steel chain, finished with a gloss black epoxy paint. Perfect to put your favourite bottle out on display, and appreciate the gravity-defying illusion.We package and send these out with absolute and complete care in the most environmentally harmless way possible - if you would prefer to pick this item up from us to ensure maximum safety of the object we are happy to accommodate that option too

‘There is a common assumption about youth which is: Youth is about youth. But that isn’t really true. Youth is really about the past. Youth is not the pool that young men gaze adoringly into; it is the pool that old men gaze in, in order to measure the distance their bodies have traveled’. - Collier SchorrCollier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of a friend came to her home for a ‘go-see’, which is when a photographer gets to see how a model looks in front of the camera. Paul’s family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents’ house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other’s fascinations and fantasies. Many of the pictures were published in Re-Edition magazine. Paul’s Book expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress.24 x 31 cm, quarter-bound hardback

Started as a visual diary by Jan Philipzen, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses... ​The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.Published by Art Paper Editions20 x 26 cmSoftcover176 pages1st EditionOctober 2020EnglishISBN 978-9-4931465-2-5

In 1994, the New York Times Magazine assigned me to ride along with cops from the Los Angeles Police Department, photographing them at work. This was just two years after the protests that erupted when four officers were acquitted on charges of beating Rodney King, and LAPD needed a public image makeover. So they gave me and the Times unprecedented access to the department, hoping we’d give readers a story about LAPD’s new “kinder, gentler cop.” I was embedded with officers from several divisions and branches, including some of the more notorious ones: the anti-gang unit “CRASH”, the Rampart Division, and the homicide unit. For several weeks, I rode day and night in the back of police cars, taking photos. Most of those photographs have never seen the light of day, until now. Given the potential revolution around policing in the US taking place right now, the time has come to share them with a wide audience. The photos are a reminder that the same problems we are reckoning with today—systemic racism, violence against community members, corruption—have been around for decades. These photographs tell a story about the power imbalance between police and the community, the constant tension between the stated goal of “protecting and serving” and the reality of police violence. From behind my camera, I saw how decades of profiling, racism, and brutality had led to deep distrust in many communities—distrust that the LAPD’s mild attempts at reform couldn’t even touch. The photos capture a particularly turbulent time for the LAPD, just after several very public corruption scandals in addition to the charges of police brutality brought to light by the video of Rodney King’s beating. I was no stranger to this type of assignment. At that time I had already published two books, Spanish Harlem and East Side Stories, which depicted life in impoverished neighborhoods. Covering LAPD gave me a chance to show how police operated in marginalized communities, and how those communities were affected by individual cops and the department as a whole

Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In You Should Have Heard Just What I Seen, Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume.As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for Harper's Bazaar and the Village Voice, Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of Crawdaddy! magazine. Later Hamilton joined The New York Observer and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer304 pgs, 27 × 30 cm, Hardcover, 2015,

to Be’s second issue explores the theme, Times Are Changing, which delves into our contributors’ approaches to a rapid and radical global environment. Whether it be social identity politics, subcultural plights, or technological advancements, to Be consolidates its contributors’ takes on how the times are affecting their personal and professional outcomes.Some of the contributors include Ed Templeton, Erwin Wurm, Joshua Gordon, Moma PS5, Kembra Pfahler, Chad Moore, Eartheater, Sam Quealy, Eugene Rabkin of StyleZeitgeist, The Drunken Canal, Al Gharib, Ute. Records, Perila and more.

Our classic record store logo tee screen is printed on 100 percent cotton in Melbourne.The Logo sits 30cm wide across the chest.

Our classic record store logo tee screen printed on 100 percent box fitted cotton tees in Melbourne.The logo sits 30cm wide across the chest

The ‘Psyche” Tee is inspired by one of our favorite set posters designed for Kyoto-based Dj & Producer Stones Taro’s, when he featured on our mix series ‘The Inner Sound’ where he unleashed a 1-hour UKG / House / Jungle set that we absolutely loved. The design itself was inspired by vast contrasts of colour and sound, created to encapsulate the varying musical journeys we had been taking throughout the 2021 lockdowns, from Japanese Ambient works, obscure left-field electronica & melodious psychedelic dancefloor experiments from all over the world - apart from having a deep dive into our crates of wax to explore avenues of design inspiration, we also took influence from classic rave posters & flyers such as 1992 / 1993 Fantazia, Dreamscape & World Dance.Printed & Designed locally in Melbourne / Naarm

Our Adventures In Frequencies Tee is inspired by countless hours spent digging through varying genres of records, both physically and of course, digitally, finding mind-bending experimental masterpieces that inspire us, beautiful avant-garde journeys through sound that creates a drive to further advance our knowledge into the never-ending library of music and subcultures linked to music. we took heavy influence from rave/dance flyers from 1991 - 1993 specifically, such as “Real Dream” presented by Perception in 1992 in the UK which featured Carl Cox & DJ Seduction, although well before our dancefloor days, we marvel at what once was and much like records, we love exploring past explorations into the electronic dance music scene and all the wonderful, mind-bending artwork that was created alongside it. Printed and designed in Melbourne on 100 percent cotton teesPurple Screen Printing On Black TeeFrequency - the rate per second of a vibration constituting a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). "different thicknesses of glass will absorb different frequencies of sound"

Our Adventures In Frequencies Tee is inspired by countless hours spent digging through varying genres of records, both physically and of course, digitally, finding mind-bending experimental masterpieces that inspire us, beautiful avant-garde journeys through sound that creates a drive to further advance our knowledge into the never-ending library of music and subcultures linked to music. we took heavy influence from rave/dance flyers from 1991 - 1993 specifically, such as “Real Dream” presented by Perception in 1992 in the UK which featured Carl Cox & DJ Seduction, although well before our dancefloor days, we marvel at what once was and much like records, we love exploring past explorations into the electronic dance music scene and all the wonderful, mind-bending artwork that was created alongside it.Printed and designed in Melbourne on 100 percent cotton teesBlue Screen Print On White TeeFrequency - the rate per second of a vibration constituting a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). "different thicknesses of glass will absorb different frequencies of sound"